Claudio F Baroni
A composer specialized in experimental music, Baroni’s work can be described as a systematic approach oriented towards investigating the nature of sound and the passage of time. Since 2001 he has worked on numerous commissions for internationally renowned ensembles and projects, such as Slagwerkgroep Den Haag, Compagnie Bischoff, Maarten Altena Ensemble, VocaalLab, Asko Kamerkoor, The Barton Workshop, Modelo62, Nieuw Ensemble, Piano Circus, Opera Nova Ensemble, Champ d’Action, Ensemble Integrales, Arditti and Prometeo string quartet, among others. Baroni has also collaborated in many multimedia projects with artists from different disciplines including Reinaldo Laddaga, Fabian Marcaccio, Adi Hollander, Joost Rekveld, Prannet Soi and Ana Piterbarg, among others. Recent honors include an artistic residency fellowship from Civitella Ranieri Foundation in Umbertide, Italy.
Baroni is based in Amterdam, he studied piano and sonology at the Universidad de Humanidades y Artes de Rosario, Argentina, and composition at the Royal Conservatory in The Hague, the Netherlands with Gilius van Bergeijk, Clarence Barlow, Martijn Padding and Louis Andriessen.
Exhibition: The body imitates the landscape: a frame, a collaboration with Adi Hollander, February / March 2020
After getting her degree in Philosophy from the University of Genova in Italy, Valentina Campora went on to study Modern Theatre Dance at the Academy of Theatre and Dance in Amsterdam. She has danced and collaborated on projects with Jakop Ahlbom, Erik Kaiel, Cristina Planas Leitao, Heather Ware, Bani Koshnoudi, Andy Moor and others. Campora has collaborated with choreographer Gabriella Maiorino for several years, and with Makiko Ito and the Wonderland project for young audiences. As a dance teacher, Campora is a regular guest at De Stilte dance for children in Breda, the Academy of Theatre and Dance in Amsterdam, Fontys Academy Tilburg and the HJS Foundation in Amsterdam (NL).
Co-founder of the Amsterdam-based artist initiative Public Space With a Roof active since 2003, she holds a MS degree in Art, Culture and Technology from the MIT. Hollander’s work has been exhibited in numerous galleries and museums in the Netherlands and internationally. In her work, she creates site-specific installations as places of exchange which take form of objects and sculptures that can be experienced simultaneously as interiors and exteriors. The source of this interest comes from Hollander’s fascination with the concept of time in the domain of architecture, as well as with the question of how form and structure allow spectators to actively develop the environments they are part of. Her projects are an attempt to embody a certain complexity of sensory experience, as an alternate form of knowledge about the senses and how we ‘read’ the world around us. An aspect of inquiry or doubt is introduced to leave the process of questioning open, and to allow for more questions to enter.
Exhibition: The body imitates the landscape: a frame, a collaboration with Claudio F. Baroni, February / March 2020
Aside from being a well-known guitarist in bands such as the Dog Faced Hermans and the Ex, Andy Moor has collaborated with many musicians from varied backgrounds and disciplines over the years. Moor is also a composer of film soundtracks, working with English artist and filmmaker Marion Coutts, with Iranian filmmaker Bani Khoshnoudi and US experimental filmmaker Jem Cohen. He has an active interest in participating in dance performances, live, or as a composer. Moor and Valentina Campora have shared the stage on several projects. His working relationship with Isabelle Vigier includes the live performance The Journalist, and their music label, Unsounds.
Exhibition: Safe Piece (installation), a collaboration with Isabelle Vigier and Andy Moor, 5 September / 31 October 2020
Exhibition: Second Verse, 12 December 2019 / 11 January 2020